MAI


MIXED MEDIA

Merging Tools, Expanding Creativity.

Each project in this section is a playground for experimentation, where I combine different disciplines to create unique visuals.


Sometimes, it’s about meticulously hand-painting textures and applying 3D modeling and lighting techniques to shape an immersive scene.


Other times, I paint frame by frame to develop a unique aesthetic, or take on the challenge of blending 2D, 3D, real footage, and stock videos to create a cohesive and distinctive visual identity.


I love exploring how different mediums interact, pushing creative boundaries, and turning each project into something unexpected and visually compelling.

PAINTING TEXTURES

Cinema 4D / Redshift / Photoshop

This was a pet project, a personal experiment we had the chance to develop in the studio. My goal was to achieve a strong illustrative look, where I could hand-paint my own textures in Photoshop and learn how to seamlessly apply them to a 3D scene.


This project allowed me to explore the intersection of digital painting and 3D rendering, pushing the boundaries of how textures can shape the final aesthetic.

Blocking

Lighting

Adding textures

PAINTING FRAME A FRAME

After Effects / Photoshop

The client wanted a video that felt different—something more than a standard corporate piece. As they transitioned to a new name and logo, they needed an internal video that would inspire pride, strengthen team spirit, and reinforce that, despite the change, their essence remained the same.


To give the video a more personal and unique touch, I experimented with a mixed media technique inspired by artist Danae Gosset, adapting it into a digital workflow. We hand-painted elements frame by frame, bringing a playful, organic feel to each shot. This approach made the final piece more engaging, emotionally resonant, and deeply connected to the brand’s identity.

BLENDING TECHNIQUES

Cinema 4D / After Effects / Video Stock / Interview

This project required a high level of complexity, as it involved combining interviews, imagery from the National Geographic Institute (including LiDAR radar images), and a long-format structure—which made an entirely 3D approach unrealistic given the time constraints.


With all these elements in play, we crafted a piece that seamlessly blends 3D, 2D (to speed up production and reduce rendering time), interviews, and live footage, creating a dynamic and visually engaging final video.